黄梅戏《大明朱元璋》音乐研究

黄梅戏《大明朱元璋》通过多元跨界，将民歌混搭戏曲，将现代文化题材融入传统戏曲，探索出了一条互联网时代黄梅戏创作的的新途径。笔者从音乐学角度以黄梅戏音乐传统为切入点对《大明朱元璋》唱腔、曲式、调式等进行论述，探讨其蕴含的审美特征与文化内涵，重点揭示其创新实践，解读其将凤阳花鼓“无缝嫁接”到黄梅戏的创作规律。
关键词：黄梅戏音乐；《大明朱元璋》；创新

Abstract:
  Huangmei Opera “Da Ming Zhu Yuanzhang”adopted multiple cross-sectors to mix and match folk songs and dramas ,blended modern cultural background in traditional operas,and explored a new way of creation of Huangmei Opera in the internet age.From the aspect of musicology,the author discusses the aria,form and mode of the “Da Ming Zhu Yuanzhang”from the perspective of Huangmei Opera’s musical tradition.The author also discusses its aesthetic features and cultural connotations,highlights its innovation practice and interprets its Fengyang Flower Drum grafting to Huangmei Opera’s composing rulers.
 
Keywords: Huangmei Opera music; “Da Ming Zhu Yuanzhang”; innovation

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