黄自艺术歌曲研究——以《思乡》《花非花》为例

黄自先生在音乐教育及创作方面拥有杰出的表现，他渊博的音乐素养和缜密的教学态度，受到后人的敬仰。黄自在德欧艺术的基础上进行了深入的研究，他的艺术歌曲长于用音乐的语言来表达诗词的境界，歌词的艺术性达到了中国早期艺术歌曲的一个高峰。半个世纪后，黄自先生艺术歌曲的艺术性和欣赏性丝毫没有减弱，它们依旧是中国艺术歌曲中的瑰宝，在音乐的舞台上依旧被众多的演唱家选择。黄自先生艺术歌曲的代表作有《思乡》、《花非花》等作品，这两首作品加入了和声手法的运用和技巧，不仅进一步将中西方的音乐语言与写作手法完美地交融在一起，还将音乐与诗词进行了交融。对我国之后的音乐写作产生了长远的影响。
关键词：黄自；艺术歌曲；演唱风格；创作特征；作品分析

The research of yellow self-art song -- taking "homesickness" and "Flower Or Not" for example                                 
              
Abstract：
Huang Zi has an outstanding influence on professional music education and creative work.Later generations venerate his profound musical qualities, rigorous and serious teaching attitude. Huang has conducted deep research based on the German and European arts. His songs are good at expressing the artistic conception of poetry in a refined musical language. The lyrics are poetic and highly artistic, reaching the peak of the Chinese composer in the early art songs. After half a century, the charm of Huang’s art songs did not fade with time. They are still the classics of the Chinese art songs and still reverberate on the Chinese music stage as a repertoire for many singers. The masterpieces of his art songs include works such as “Homesickness",“Flowers are not flowers”and so on. Those two songs add the harmony skills. Besides, they not only further integrate Chinese and Western music vocabulary with writing techniques perfectly, but also integrate music with poetry. Huang’s art songs have a profound influence on the later music creation in China.

Key words：HuangZi；Art song；Singing style; Creative features; Work analysis

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