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论张爱玲小说中女性意识的非主动觉醒——以《半生缘》陆曼桢为例


全文字数:12000字左右  原创时间:<=2022年

【内容摘要】

论张爱玲小说中女性意识的非主动觉醒——以《半生缘》陆曼桢为例
张爱玲小说中的主人公多是女性,而且她笔下的女性不再是传统意义上的遵循三从四德的女性,也不是强烈的要求进步的新时代女性,而是在新旧环境交替下的女性。她们不甘成为封建传统的牺牲品,不甘成为男权下的战利品,她们处处表现着与传统、与社会的抗争,处处彰显出觉醒的女性意识。但此种女性意识的觉醒却又无时无刻不受到封建传统、社会环境、自身性格的影响,从而表现出“非主动觉醒”的一面。所谓“非主动觉醒”,是抛开主人公有意识的主动要求改变自身处境,而更多的表现在多种外在条件的作用下的形成的女性觉醒的一种状态。
【关键词】女性意识  非主动  觉醒
 The feminism’s passive awaken in Eileen Chang’s works----LuManZhen in The Fate of Half Life as an example.
[Abstract] Most of Eileen Chang’s works’ characters are female, and they no more are tradition female, and they aren’t radical female in new days neither, they grow up in the new and old culture. They don’t want to be the victim of tradition culture, and they don’t want to be the capture of man’s word. They struggle against traditional culture and the society, but their action reflect awaken consciousness in everywhere. But this awaken consciousness are limited by tradition culture, environment and their nature. So we can see the side of passive awaken. What is “passive awaken ”,   we put aside initiative  awake of female , the important thing is the outside word , they make female awaken.
[Key words] Feminism; Passive; Awaken

 

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