从《花木兰》看豫剧的声腔特点

从《花木兰》看豫剧的声腔特点
摘  要

豫剧是我国最大的地方戏剧种，其代表作《花木兰》是由中国北朝民间政府中的《木兰诗》改编的，由常香玉演唱，主要流行于河南周边地区。《花木兰》是豫剧的代表作之一，本文对 《花木兰》中的 “女子们哪一点不如儿男”和“花木兰羞答答施礼拜上” 两个选段的声腔特点进行分析，进一步了解和熟悉豫剧的唱腔特点以及其起源、发展、代表作等的介绍。今天，许多的电视节目队豫剧的推广和豫剧剧团的成立促进了豫剧进一步的发展，豫剧的发展前景一片光明。

关键词：豫剧  《花木兰》  发展过程    声腔特点  
Abstract

Henan Opera is China's largest species of local drama, Henan Opera "Mulan" by the Chinese civil government in the Northern Dynasties "Mulan Shi," adapted from the concert artists, mainly popular in Henan surrounding areas. "Mulan" is one of the representative of the Henan Opera, the paper of "Mulan" in "what point do women have children than men" and "Mulan Shi Xiu Dada week on" The Tune of the characteristics of Henan Opera and the origin, development, And the characteristics of singing, the representative of Henan Opera simple, Henan Opera prospects for the development of a bright, a number of television programmes and also promote the establishment of the Theatre of the development of Henan Opera.

Key words:   Henan Opera       "Hua Mulan"    Tune features    development process

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