从“文情难鉴”到“文情可鉴”

中国古代文艺理论家刘勰的《文心雕龙》系统地论述了文学理论中的许多重要问题, 鉴赏活动作为文学活动的一个重要环节,也是刘勰极为关注的对象。本文从鉴赏论的角度切入《文心雕龙•知音》，通过对知音式鉴赏过程的考察发现刘勰在文中提出了“文情可鉴”赏析方法，并由此得出读者的鉴赏如何与作者的创作达到知音式的共鸣。“文情可鉴”论集中体现了其对于鉴赏论的创见,对后世的鉴赏理论有极其深远的影响。

关键词： 《文心雕龙》  知音   文情难鉴   文情可鉴   披文入情
 “Difficult to reflect “both form and content from both form and content” to be possible to reflect”

Abstract

  The China ancient times literary theoretician Liu Xie "Wen Xin Carved Dragon" elaborates in literature theory many important questions systematically, the connoisseurship activity has taken the literature activity an important link, was also the object which Liu Xie paid attention extremely. This article the angle which discusses from the connoisseurship cuts into "Wen Xin To carve Dragon Intimate friend", through to the intimate friend type connoisseurship process's inspection discovered that Liu Xie proposed in the article “both form and content may reflect” the appreciation method, and how obtains reader's connoisseurship to achieve intimate friend's-like sympathetic chord from this with author's creation. “both form and content might reflect” in the analects to manifest it the unique interpretation which discussed regarding the connoisseurship, had the extremely profound influence to later generation's connoisseurship theory.

key words: "Wen Xin Carves Dragon"   the intimate friend   Both form and content difficult to reflect    Both form and content may reflect    Throws over Wen Ruqing

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