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古典舞身韵在《春江花月夜》中的体现运用


全文字数:8000字左右  原创时间:<=2022年

【内容摘要】

古典舞身韵在《春江花月夜》中的体现运用


张若虚在生前创作了一首脍炙人口的诗《春江花月夜》,这首诗在思想内容上有很大的进步,在艺术风格上给人眼前一亮,它超越了前人的诗作。张若虚将传统题材与其它普通题材结合,给予了这首诗新的含义,将诗情和画意以及哲理融为一体。张若虚仅仅凭着对春和江和花以及月亮和夜空的描述,将自然的奇丽景色详细写尽,同时也对了人世间的纯洁爱情做了无限的讴歌。对于《春江花月夜》的舞蹈创作也是舞者比较感兴趣的部分,从以前到现在就已有四个不同版本。而这些版本中最早的就是陈爱莲的中国古典舞。距离现在最早的就是 2015年的万素的版本,也称作为“即现”。其中的时间整整有差不多50几年。这50几年也见证了中国舞的发展和改变。最初的古典舞一般都是独舞,直到近期才发展成为群舞。本文通过对四种版本的舞蹈声韵的分析,分析了在“流动”的过程中,诗歌的意境通过与古典舞的结合去传情、去达意、去造境,诗歌的意境也在古典舞身韵形动的“流动”中彰显出来,浩瀚又幽邃,情思婉转。

关键词:古典舞身韵;春江花月夜;名族舞;艺术(五号宋体)

 Classical dance in " The moon night of the Spring River" in use
                                 
              
Abstract:Zhang Ruoxu's famous poem, "the moon night of the Spring River", has made great progress in the content of his thought. It is a light in the artistic style, which transcends the poems of the predecessors. Zhang Ruoxu combines traditional themes with other common themes, giving the new meaning of the poem, integrating poetry and painting with philosophy. Only by the description of the spring and the river and the flowers, the moon and the night sky, Zhang Ruoxu wrote the natural wonders in detail, and gave the infinite eulogize to the pure love of the world. For the same subject, there are four different versions of dance art in the "Spring Festival moon night". From the early Chinese classical dance version of Chen Ailian to the "now" version of Wan Su in 2015, it was a full span of more than half a century. From the original solo version to the later stage group dance version, it was enough to witness the development and change of the dance. Through the analysis of the sound and rhyme of the four versions of the dance, this paper analyses that in the process of "flow", the artistic conception of poetry is passed through the combination of the classical dance with the classical dance, and the artistic conception of the poetry is also displayed in the "flow" of the classical dance.

Key words:Classical dance; Chunjiang; dance; art

 

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