象形取意——“作者论”视域下徐浩峰武侠电影研究

徐浩峰的武侠电影是华语电影中一道独特的风景，其一系列电影作品在风格上保持一致，主题意蕴也是一脉相承，具有极强的辨识度，体现出了一种作者化的倾向。本文以“电影作者论”的理论为基础，以徐浩峰的三部武侠电影为文本，从其电影中的纪实风格、文化内涵、悲剧意识这三个方面来论证徐浩峰的电影作者身份。
关键词：徐浩峰  作者论  武侠电影

Title ：Following the shape and using the impression:An analysis of Xu Haofeng’s martial arts films under the theory of “Author”
Abstract: Xu Haofeng's martial arts film is a unique scenery in the Chinese language film. A series of his film works are consistent in style, the theme implication is also in the same line, has the extremely strong recognition degree, has manifested one kind of author tendency. Based on the theory of "the author of the film" and the three martial arts films by Xu Haofeng, this paper demonstrates Xu Haofeng's identity as the author of the film from three aspects: the documentary style, the cultural connotation and the tragic consciousness.
Key words：HaoFeng Xu ;Politique Des Auteurs ;Martial Art Films

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