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走西口文化影响下的忻州刺绣


全文字数:7000字左右  原创时间:<=2022年

【内容摘要】

走西口文化影响下的忻州刺绣


在走西口历史背景下通过对比研究忻州、内蒙刺绣,对于研究当时的文化特色、审美价值、社会情感都有着重大意义,也对蒙汉之间的民族交流,文化融合产生深远影响。蒙汉之间的文化交融是无数优秀文化积淀的凝结。
走西口文化不光是山西人用生命与智慧塑造出的商业精神,还是民歌、民俗等独一无二的文化符号。它影响着一代又一代的山西人,不仅形成了共同的方言、相同的兴趣、相近的生活习俗,更体现在精神层面以及相似的信仰习惯。蒙汉刺绣是蒙汉人民风土人情的映射,空白的织物被赋予灵感,思想的纯度融为一针一线。
结合走西口时期的历史背景,在对蒙汉刺绣分析的基础上对内蒙刺绣和忻州刺绣的代表性作品进行对比分析,进而深入研究总结出蒙汉人民之间的文化交融。
关键词:走西口;忻州刺绣;内蒙刺绣;文化交融

 

Abstract

A comparative study of embroidery in Xinzhou and Inner Mongolia under the historical background of Zouxikou is of great significance to the study of social emotion, cultural characteristics, aesthetic value and auspicious meaning at that time, and also has a far-reaching impact on ethnic exchanges and cultural integration between Mongolia and Han. The cultural blending between Mongolia and Han is the condensation of countless excellent cultural accumulations.
Zouxikou culture is not only a commercial spirit created by Shanxi people with their life and wisdom, but also a unique cultural symbol such as folk songs and folk customs. It has influenced generations of Shanxi people, not only forming a common dialect, the same interests, similar living customs, but also reflecting the spiritual level and similar belief habits. Mongolian-Chinese embroidery is the reflection of Mongolian-Chinese people's customs. Blank fabrics are endowed with inspiration, and the purity of ideas melts into a thread.
In this paper, literature research, comparative analysis, legend analysis and other methods are adopted, combined with the historical background of the Zouxikou period, based on the analysis of Mongolian and Chinese embroidery, the representative works of Inner Mongolia embroidery and Xinzhou embroidery are compared and analyzed, and then the cultural blending between Mongolian and Chinese people is deeply studied and summarized.
Keywords:Go West Exit; Xinzhou Embroidery; Inner Mongolia Embroidery; Cultural Fusion

 

 

目 录

一、走西口文化的形成 1
1.自然环境因素 1
2.政治环境因素 1
二、走西口文化下的蒙汉刺绣 2
(一)图案对比 2
1.蝴蝶图样 3
2.凤凰图样 4
(二)造型对比 4
1.夸张造型 4
2.抽象造型 6
(三) 色彩对比 6
1.装饰色彩与寓意 6
三、文化交融中的忻州刺绣 7
(一)蒙汉文化交融 7
1.信仰交融 7
2.生活交融 8
结束语 9
参考文献 10

 

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