论钢琴演奏中的情感运用
论钢琴演奏中的情感运用
[摘要] 魏晋哲学家嵇康的美学思想“声无哀乐论”和其他多种美学思想认为，钢琴演奏是情绪与的艺术化体现，音乐表演和情感表现之间具有微妙的关系。在钢琴教学中要注意培养情感达到灵性统一学生体会情感，运用情感来进行演奏。在钢琴演奏的过程中不能只靠两只手在钢琴上做机械的手指运动,而是要用心去体会并研究作品的演奏风格与特点。钢琴教学是一项非常复杂的工作,它有着自身庞大的知识体系。通过运用在钢琴演奏与教学方面的一些经验来谈如何培养学生在钢琴演奏中的技巧发展与情感体验。
[关键词]演奏;教学;技巧;情感；运用
[Abstract] philosopher Ji Kang Wei, Jin and the Aesthetics of "no sound of a dirge" and many other aesthetic thought that the piano is the emotional and spiritual feelings to achieve reunification of the art of expression, music and emotion between the performance of the delicate Relations. In piano teaching students to pay attention to cultivating emotional experience, to include performances by the use of emotion. A piano recital in the course of more than two hands to do on the piano in the mechanical movement of the fingers, but to carefully understand and study the works of playing style and characteristics. Piano Teaching is a very complex, it has its own huge body of knowledge. Through the use of the piano and teaching experience to talk to some aspects of how to train students in a piano recital in skills development and emotional experience.
[Key words]: performance; teaching skills; emotion; use
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