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论声乐的演唱技巧


此文字数共约:12000字  文章页数共约:19页  发布时间:2021年及之前  原创指数:3.8

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论声乐的演唱技巧
论声乐的演唱技巧
摘要:近年来,在民族声乐中,真假声结合的居大多数。有的真声多些,有的假声多些,这与地方方言有着密切关系。一般北方人占真声成份多,南方人占假声成份多。我们要求有真声基础,真假结合。这就是必须有基音,声带积极。在训练声音的过程中,低、中声区必须靠前,高声区稍靠后,两大牙床之间逐步要张开;面带笑容,使声音进入头腔,这与戏剧中的“脑后摘筋”或“脑后音”是同一个道理。这就是说,后面要开,软口盖提论声乐的演唱技巧
关键词:声乐演唱 技巧的实现
Abstract: In recent years, in the national vocal music, the genuine and fake sound union occupied the majority。 Some real sound many, some falsetto many, this has the close relation with the place dialect. The common northerner occupies the real sound ingredient to be many, the southerner occupies the falsetto ingredient to be many.We request to have the real sound foundation, the genuine and fake union. This is must have the tone, the vocal cord is positive Front in the training sound process, low, the sound area must depend on, after the area slightly depends on loud, between two big gum must open gradually; Is with smile on the face, causes the sound to enter the head cavity, this “strikes by surprise” or “the high piercing note” with the play in is the identical truth. This i.e. that, behind must open, the soft opercule raises discusses the vocal music to sing the skill 
Key word: The vocal music sings the skill the realization

 

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