浅析勃拉姆斯《狂想曲OP.79 NO.2》——“音乐、文化和创造性的解读”

勃拉姆斯的代表作两首《狂想曲》op79作为被演奏最多的钢琴曲，于1880年开始创作，1880年勃拉姆斯创作了大量优质的作品，他用细腻的手法将自己的理想表现地淋漓尽致，放弃金钱的诱惑和作曲上的矫揉造作，真正创作出真正纯粹的作品。与其他时期的作品相比较，这个时期的作品大多比较简洁，不是表面浮躁的音乐，而是趋向内心的，敏感的感情瞬间，其中有一首奏鸣曲式的作品叫做《狂想曲》，这个曲子发展部比较长，赋予了呈示部和展开部各样的色彩，比较优美。本文将对音乐以及音乐的文化特征层面进行分析从而来体现作品在音乐上的创新和在思想上的创新。

关键词：勃拉姆斯，钢琴曲，《狂想曲》，结构特点

On Brahms' Rhapsody OP.79 NO.2 "
       - "Music, culture and creative interpretation."
                                 
              
Abstract：The representative work of Brahms two op79 \"rhapsody\" as the most played the piano and began writing in 1880, 1880, Brahms in the peak of the creation period, with exquisite techniques to their own ideal performance incisively and vividly, give up the temptation of money and the composition of affectation, really really pure composition. Compared with other periods of work, most of the works of this period is concise, not blundering music surface, but the trend of inner, sensitive the feelings of the moment, one of the sonata form \"rhapsody\" op. 79, no. 2 in g minor, development rather long flowing, elegant, rich presentation and a range of colors, more beautiful.Analyze the cultural characteristics of music and music-level paper will thus work to reflect innovation in music and ideological innovation.

Key words：Brahms, piano music, "Rhapsody", the structural characteristics of

*若需了解更多与协助请咨询↓→[电脑QQ][手机QQ]【数据协助】