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从“三言”中青年女性形象看文人心态


全文字数:13000字左右  原创时间:<=2022年

【内容摘要】

从“三言”中青年女性形象看文人心态


从“三言”中青年女性形象看文人心态
文学作品是作家特定时代的心灵标本,是人类精神世界的折光。
冯梦龙经过整理、加工、编辑前人的作品,出版刊行了“三言”,即《喻世明言》、《警世通言》、《醒世恒言》 。其中刻画了一批富有时代特征和鲜明个性的青年女性形象,十分引人注目。她们兰心蕙质、才艺双全、情志高洁、有胆有识,具有较高的审美价值。这些青年女性形象决不是空穴来风,它们比较真实地反映了封建社会特定环境下文人尤其是中下层文人的人生理想与情爱理想。 
本文试图通过三言故事中几类青年女性形象,解读这些形象所反映出来的文人心态。剖析佳人形象背后透露出来的创作者的男权中心意识,以及男性叙事者在父权制与男权文化交替作用下对女性的矛盾心态的无意识呈现。

关  键 词:
 三言   青年女性形象   文人心态
Abstract
Literary works is a reflection of authors’ souls of the appointed times as well as a refraction of the spiritual world of humanity.

Through rearranging, processing and editing, Feng Menglong published the works of his precursor as “Sanyan” namely “Yu Shi Ming Yan ”、“Jing Shi Tong Yan”、“Xing Shi Heng Yan” in which they depicted some clear-cut female character rich in characteristics of time, which were extraordinarily eye-catching. They were both beautiful and wise, possessed talent and skill, had noble and unsullied temperament and interest, were courageous and knowledgeable and had high aesthetic values .Those women character by no means were groundless.

 Through analyzing the different types of woman characters in “Sanyan”, this paper intends to interpret the mentality of the literati reflected by them. This paper is also projected to dissect the male power center consciousness revealed in the creation of the beautiful women image as well as to dissect the unconscious display of the male narrators’ ambivalence towards the female, which was shaped by the alternative impact of the patriarchy and male power culture

Key words:   San Yan   Female image   Mentality of the literati

 

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