中美动画审美差异研究

在经济全球化的潮流下，动画片作为一个独特的艺术形式和文化形态，以其卡通的影像元素、童心童趣的情感展现、恣意丰富的想像空间,在全世界备受欢迎 。最重要的是它作为一种时尚的表达方式诠释各国文化的不同层面。从动画片这一视角分析中美文化的差异, 是一个实用性与趣味性相结合的话题。中美 两国动画片在审美表征和审美内涵方面都有着很大的差异, 这其中折射着中美文化不同的价值观念和价值追求 。同时随着全球化进程的加快，中美文化相互融合和借鉴这一现象日益明显，这也体现在中美两国动画作品中。
本论文共分为五个部分：第一部分介绍中美经典动画作品和当今主流动画及其特点，简要概述中美动画发展历史和背景。第二部分从画面风格，角色造型，动画音乐，故事题材和制作手段入手，集中对比中美动画作品审美表征差异。第三部分对比中美动画审美内涵差异以及对于造成这种差异背后的文化因素作出了分析。第四部分对于中美文化相互融合借鉴和民族元素在中美动画作品中的运用进行了举例分析。最后一部分总结了全文并表明了今后动画发展的方向。

关键词：审美内涵差异；审美表征差异：中美动画：中美文化
A Study on Aesthetic Differences Between Chinese and American Cartoons
Abstract: Under the trend of economic globalization, the cartoon as a unique form of art and culture is popular in the world by its vivid visual elements and unlimited imagination. The most important thing is that it interprets different levels of multi-national cultures through a fashion expression. Analyzing cultural differences between China and the US from the perspective of cartoon is definitely practical and interesting. It is obviously distinct that there are tremendous differences between Sino-US cartoon aesthetic characterization and aesthetic connotations, which reflects the different values of the Sino-US culture. With the accelerated process of globalization, the phenomenon that Sino-US cultural merging and combination has become increasingly evident that reflected in the Sino-US cartoon products.
This thesis is divided into five parts: The first part introduces the classic animated works in China and the United States and today's mainstream animation, precisely giving a brief overview of the history and background of development of the Sino-US animation. The second part focuses on the aesthetic characterization in Sino-US animation from the perspective of visual style, role modeling, music, theme and production means. The third part studies aesthetic connotation differences of Sino-US animation as well as the cause of this difference by cultural factors. The forth part manifests the examples that improve the implement of Sino-US cultural combination ethnic elements in the use of Chinese and American animation. The final part summarizes the full text and indicates the direction of the future development of animation.

Keywords: aesthetic characterization; aesthetic connotations; Sino-US animation; Sino-US cultural difference

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