易卜生《玩偶之家》和中国娜拉形象的生成

1918年新青年第四卷第六号“易卜生专号”将易卜生及其戏剧介绍到了中国。易卜生的社会问题剧《玩偶之家》对五四时期的文学创作产生了巨大的影响，它既为五四时期问题小说提供了更加广阔的视角，同时也为社会问题剧提供了文本模板。五四时期是一个思想启蒙和个性解放的时代，妇女解放也随即成为了这个时代较为关注的一个方面。随着《玩偶之家》的到来，“娜拉”这个形象引起了中国男女作家的关注，他们用自己独特的视角，独特的写作方式将“女性解放问题”注入到了五四文学的潮流当中，使得“娜拉”这个形象得以再造，赋予了“娜拉”新的时代意义，并且从中也体现出了作家们独特的妇女观。
关键词：易卜生；娜拉；五四新文学；女性解放

Ibsen’s A Doll's House and the Creation of Characters of Chinese style Nora
 
Abstract: The sixth special issue, the Issue of Ibsen, in the fourth volume of New Youth Magazine in the year of 1918, introduced Ibsen and his plays to China. A Doll's House, the problem play by Ibsen had influenced Chinese literature greatly during the period of the May Fourth Movement by providing the problem plays of China with a wider vision and a framework at that certain period of time. That was a time of enlightenment and liberation of personality, and the movement of Women's Liberation was becoming an essential social issue as well. As a result, many Chinese writers paid a lot of attention to the female character Nora in the play and they viewed and recreated the character in their unique way by combing the social issue of Women's Lliberation with the new-vernacular literature, the writers endowed the character with new meaning and their unique views on females were reflected in their works at the same time.
Key words: Ibsen; Nora; the May Fourth Movement new-vernacular literature; Women’s liberation

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