生态翻译视角下解读葛浩文英译《生死疲劳》
2012年中国当代作家莫言获得诺贝尔文学奖。美国翻译家葛浩文对莫言的海外传播与接受起了关键作用。
在我国，生态翻译学理论最早由胡庚申教授提出。该理论提出翻译是译者适应翻译生态环境的选择活动。
本文旨在从生态翻译学视角对莫言的原著与葛浩文的译本进行对比研究，评析葛浩文在翻译过程中的适应与选择。本文按照胡庚申教授提出的语言维、文化维、交际维的翻译方法，从《生死疲劳》的英译本中选取译例，并逐一进行对比分析，研究葛浩文的翻译策略和技巧，发现葛浩文在翻译过程中尽量忠实于原文，同时作为翻译活动的中心，他在原文的基础上进行创造性改写，从而较好地适应了翻译生态环境。
关键词：莫言，《生死疲劳》，葛浩文，生态翻译
Eco-translatological Study of Howard Goldblatt’s Translation of Life and Death Are Wearing Me Out
Abstract
Contemporary Chinese novelist Mo Yan won the Nobel Prize in literature in 2012. And the American translator Howard Goldblatt plays a crucial role in Mo Yan’s overseas dissemination and acceptance.
In China, Eco-translatology was first put forward by Professor Hu Gengshen. The theory holds translation should be translator’s selective activity to fit the translational eco-environment.
This thesis aims to conduct a comparative study between Mo Yan’s original novel and Goldblatt’s translated version from the perspective of Eco-translatology and evaluate Goldblatt’s adaptation and selection during the translation process. According to the translation method of linguistic dimension, cultural dimension and communicative dimension raised by Professor Hu, this thesis selected several typical examples from the English version of Life and Death Are Wearing Me Out and made comparative analysis to examine Goldblatt’s translation strategies and techniques. It was found that Goldblatt has tried to be loyal to the original text as far as possible and has carried out creative rewriting based on the original text as the center of translation. As a result, he has well adapted to the translational eco-environment.
Key words: Mo Yan, Life and Death Are Wearing Me Out, Howard Goldblatt, Eco-translatology
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